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Monday, 18 May 2015

BOOK REVIEW - I HAVE A DREAM: THE SPEECHES THAT CHANGED HISTORY


My review of this book appeared in Tribune in June, 2011.




I HAVE A DREAM:
THE SPEECHES THAT CHANGED HISTORY
By FERDIE ADDIS
Michael O’Mara  £9.99
 
For a book on significant speeches published in 2011 to end in 2008 indicates, even with a time lag for editing, proofing and printing, that no one has set the world on fire with scintillating oratory in the last couple of years.  Depending on your point of view, the world is going through some global menopausal change or to hell in a handcart, ideal circumstances, therefore, for a great leader to step up onto the podium and rouse us, stiffen our sinews and encourage us to imitate the actions of a tiger. But where is such a person in our hour of need?  

This book, with a distinct lack of Blair, Brown, Cameron or Clegg, presents us with some of history’s most powerful words from the ancient Greeks to Barack Obama.  To get the greatest benefit from the book however, the speeches must tickle your inner Olivier and be read out loud, otherwise the words lie flat and lifeless.  Choose your moment and location with care! 

The book includes speeches from Oliver Cromwell, Napoleon Bonaparte, Abraham Lincoln, Emmeline Pankhurst, Adolf Hitler, Winston Churchill, JFK and Malcolm X to name a few.  It is impossible not to be moved, inspired, incensed or outraged by some of the messages within.  There are many examples of great speeches like Elizabeth I’s review of the army at Tilbury, full of passion and commitment as she vows “to lay down for my God, and for my kingdom, and my people, my honour and my blood, even in the dust”.  

Fast forward to Colonel Tim Collins addressing his troops as they awaited the order to advance in the Iraq war and we hear well-prepared but nonetheless effective and morale-boosting rhetoric including “if you are ferocious in battle remember to be magnanimous in victory.”  

Patrick Pearse, the Irish Nationalist, railed against the British at the graveside of a fellow patriot: “They have left us with our Fenian dead, and while Ireland holds these graves, Ireland unfree will never be at peace.”  

The great political lovers, Thatcher and Reagan feature too.  Maggie’s “the lady’s not for turning” performance and Ronnie’s “tear down this (Berlin) wall” showpiece give an indication of the bullishness of the 1980s.  

As the book’s title suggests, Martin Luther King’s great “dream’ rhetoric stills packs a punch. At the Lincoln Memorial in 1963, as he shouted out “Thank God, we are free at last”, the crowd would have walked through fire for him and with him. 

Nostalgia can be a major distortion today, but who would we follow without question in 2011?  Who commands our deepest trust and respect?  This book reminds us about past greatness and about the weaknesses of modern leadership in a world that is crying out for trustworthy politicians who really give a damn about the people.
 

Sunday, 17 May 2015

BOOK REVIEW - CAPTAIN COOK: MASTER OF THE SEAS BY FRANK MCLYNN


Here's a review I wrote about one of my favourite books published in the past couple of years. The review was published in Tribune magazine in 2011.

CAPTAIN COOK 
MASTER of the SEAS
By Frank McLynn
Yale University Press
Product Details

From the outset, Frank McLynn states very clearly that Captain James Cook was the finest maritime explorer in the history of the world, not one of the finest but the finest without a doubt.  He had no apparent fear of the sea and was confident he could deal with the very worst the oceans could muster. His journey from very poor beginnings to being lauded as master of the seas is fascinating.  Cook was born in 1728 in Marton-in-Cleveland, North Yorkshire, to his labouring father James and mother Grace.  He was one of six siblings and survived them all.  McLynn speculates his way through young Cook’s childhood and education in Great Ayton, making assumptions about his demeanour and personality, and trying to fish around for tentative links to his eventual nautical career.  But he is probably right about Cook’s work ethic as a growing boy because he had little choice but to graft and earn money to contribute to the family coffers.  He was a shop assistant before becoming an apprentice merchant seaman, based in Whitby.  He stayed in the merchant navy for nine years and through his employer and acquaintances, absorbed Quaker influences that may well have shaped “his modesty, plainness, taciturnity, hatred of idleness and gossip, disbelief in a transcendent god, and general humourlessness.” His presence in coastal Whitby whetted his appetite for the sea and his apprenticeship gave him the opportunity to learn everything about ships including the functions of the sails and how to handle vessels in rough weather conditions.  The sea was his passport to better things, the only escape route for this ambitious young man born into poverty. 

After cutting his teeth on the Newcastle to London coal runs and various other merchant excursions, Cook decided to join the Royal Navy, convinced that it would satisfy his ambitious desire for adventure, power, status and money.  He was identified as a talented individual and steadily rose through the ranks, gaining more and more experience of ship-handling and crew management.  It is safe to say that he was not afraid to get his hands dirty.  He had an appetite for learning and absorbed surveying experience during the Seven Years War between Britain and France in North America, charting expertise along the Newfoundland coast and mathematical and astronomical knowledge as he studied to be the best seafaring leader he could be.  The book crochets along knitting facts, assumptions and guess work, sometimes drowning the story in avalanches of detail that do not necessarily tell us anything specific about Cook’s personal relationships, psychology, behaviour and emotions.  Frank McLynn shifts from conventional biography to historical perspective to sailor’s handbook with some skill while the reader moves from interesting and exhilarating episodes to more mundane, plodding passages describing technical matters to the nth degree.  But it is the extent of his travels that makes Cook such an admirable and interesting historical adventurer. 

His first major voyage of discovery, from 1768 to 1771, took him to Tahiti and presented the opportunity to chart New Zealand on the world map for the first time before sailing on to Australia, New Guinea and Java.  The second major voyage was for exploration of the South Seas and Antarctica from 1772 to 1775.  By this time, Cook had become the first man to circumnavigate the world in both directions. His third and last major voyage had the objectives of exploring more of the Pacific region.  He visited New Zealand, Tonga, Tahiti and Christmas Island, before discovering what are now the Hawaiian Islands.  After exploring British Columbia and Alaska, Cook headed back to Hawaii where he was to die in a brutal skirmish along with members of his crew and opposing local warriors.  The fatal incident involved efforts to retrieve a stolen boat from Kealakekua Beach.  Cook, a non-swimmer, surprisingly for an accomplished seaman, was stranded (some say abandoned) on shore and was clubbed and stabbed to death, before being incinerated along with the other bodies.  Conflict and antagonism with the Hawaiians and his own men had contributed to the captain’s demise.  He was 51 years old.  The chapter “Tragedy on Kealakekekua Beach” is an example of how McLynn can write exciting, compelling narrative. 

Away from the sea, Cook’s personal life was not easy.  With his wife Elizabeth, they had six children, five sons and a daughter.  Cook was outlived by one son and by his wife who was 94 years old when she died.  Her home-based story would be an interesting complement to her husband’s seafaring career.  She would stay behind as housewife and mother, managing the home and bearing the emotional brunt of the tragic deaths of their children, while he could sail away and distance himself from domestic chores and traumas.

Captain Cook, amongst historians and descendants of the inhabitants of places he visited, divides opinion about his legacy.  McLynn discusses his reputation as supreme master of the seas but also, according to some of his critics, as an alleged  “evil white man”, racist, imperialist, man of violence, spreader of venereal disease and cynical killer.  His naval achievements are also called into question because much is made of his own involvement but little is written about the enormous amount of help and support he had from the Admiralty, the Royal Society, scientists, botanists, various other patrons and, of course, his officers and crews.  To some he is a monumental and model hero.  To others he is the villainous personification of British and capitalist arrogance.  On a recent trip to Whitby, I discovered that Captain Cook is also a tourist attraction with all that is good and noble about him on display for visitors from far and wide.  There is a grand statue of him looking out to sea.  On the day of my visit, I spotted a seagull on top of his head and liberal amounts of droppings on his face and shoulders, an illustration, perhaps, of this historical giant rightly standing tall and proud, yet attracting some derision from those who may acknowledge that he was indeed the finest maritime explorer ever, but that he had many personal and character flaws that deny him a perfect appraisal.  Frank McLynn has written a hefty book, one that requires patience to read and time to reflect.  It is a great biography of a fascinating and important life.

Friday, 15 May 2015

BOOK - A MAVERICK LIFE: THE JACK KELLY STORY BY LINDA J ALEXANDER


To look inside, go to Amazon

A Maverick Life: The Jack Kelly Story
by
Linda J Alexander

I'm glad Linda J Alexander wrote the Jack Kelly story.  He's a bit of a forgotten man in some ways.  I have been a fan of westerns since I was knee-high to a cornflakes box and I had the good sense to be born in the golden era of TV westerns in the late 50s/early 60s - Bronco, Cheyenne, Wagon Train, Laramie, etc and, the greatest of them all, Maverick.

The Jack Kelly/James Garner combo was terrific and even watching reruns as recently as last year, the magic is still there on screen.

Garner left the show and went on to a great career in films and TV.  Kelly stayed a bit longer, was eventually "let go", the show folded and he found himself trying hard to capitalise on his TV fame and popularity.  He balanced his working life between screen and theatre, eventually abandoning both for local politics.  After Maverick, he was a kind of go-to-guest-star for TV series.  I remember him fondly in a couple of The Rockford Files and an Alias Smith and Jones episode, amongst others.

The book charts his career very well and fills in a lot of details about his fascinating early showbiz-related upbringing and his often thwarted ambitions to be a big star.  James Garner, post-Maverick, moved forward.  Jack Kelly seemed to slip backwards, sadly.

There are lots of stories, insights and what sound like assumptions in his private life and, at times the book gets a little bogged down in domestic stuff.

But that's a minor gripe.  I loved Jack Kelly's work, his charm, his humour, his great voice and now I know a lot more about him, I am encouraged to seek out his films to remind myself of his CV.

Congratulations to Linda J Alexander on a great book and thanks for reminding us of this wonderful actor.

(Jack Kelly 16 September 1927 - 7 November 1992)

Thursday, 14 May 2015

BOOK REVIEW -ASK ME IF I'M HAPPY BY PETER BOWLES

Ask Me If I'm Happy

Ask Me I'm Happy
by Peter Bowles

BLURB:

'Peter Bowles was born in London to parents who were servants to two of the most influential families in Britain. From New York's Broadway in 1956 to London's Theatre Royal Haymarket in 2006, Peter has starred in many successful plays, whilst playing villains in such iconic TV series as THE SAINT, THE AVENGERS, THE PERSUADERS, SPACE 1999 and THE PRISONER. He has also starred in many hit TV series including RUMPOLE OF THE BAILEY, ONLY WHEN I LAUGH, THE IRISH R.M., LYTTON'S DIARY and, of course, TO THE MANOR BORN. ASK ME IF I'M HAPPY is the personal story of an actor who was told on leaving drama school that he would never play an Englishman (and didn't), to becoming known as the quintessential Englishman (and isn't).'

I love most showbiz autobiographies, especially those written by people who have a life to write about. I'm not too fond of teenage and twenty-something celebrities writing (via ghosts) about "life" and sharing their "wisdom" (whizz dumb).

Peter Bowles is 78.  He wrote this book in 2010 and it is a great read.  He tells of his years of struggle trying to earn a living as an actor.  His early career progression was painfully slow and frustrating but he stuck with it, cutting his teeth in all sorts of minor theatre roles.  In the 1960s, he seemed to be the go-to guy to play foreign villains in popular television shows.  He jockeyed back and forth between screen and stage and through hard work and grind developed a decent CV and a list of valuable friends and contacts along the way.

At the age of 43, it all started to happen for him. He was cast as Richard DeVere opposite Penelope Keith's Audrey fforbes-Hamilton in To The Manor Born and the 22 episodes of that show linger long in the fond memories of TV viewers.  From there, he could not do a lot wrong as he embarked on a string of television hits, as mentioned in the blurb,

My favourite role of his is Guthrie Featherstone in the sublime Rumpole of the Bailey.

I saw Peter Bowles in Noel Coward's 'Hay Fever" at the Haymarket Theatre, London a few years back. The cast included Dame Judi Dench and it was terrific.

'Ask Me If I'm Happy" is an interesting appraisal of an acting career and the acting profession.  It is thoroughly entertaining and more than a few names are dropped and anecdotes told about the ups and downs of life on the boards and on screen.  There is some padding out of stories that don't warrant too much attention but by and large, this is a fine autobiography from one of Britain's most successful actors.

Wednesday, 13 May 2015

SELF-PUBLISHING - CHECK OUT MY EXPERIENCE

Here's another look at a recent post on self-publishing - click the relevant banner, have a browse, register if you want to and upload your manuscript. 


The FeedAread.com banner at the top of this blog and the box to the right highlight a self-publishing service that I have used and will continue to use.

Let me be clear before I go on - I am not employed by FeedAread but they have asked writer-customers to include the clickable banner in blogs, etc. I am happy to do so because they are professional and fair when it comes to publishing, quality of books and payment of royalties.

So, what's my experience?  I have published several books with them.  As ever with this kind of service, they require the writer to upload whatever the book content is (writer's responsibility to proofread, correct, etc) onto pre-prepared manuscript templates.  Once you upload, you will, in a fairly fast turnaround, get an email pdf of what your book interior will look like.  Scour it for errors or make any adjustments to your original and reload. Back will come a pdf. Once you are happy with the contents, click 'accept'. You will then be able to design your book cover, either using FeedAread artwork or by uploading your own photographs, illustrations or whatever. Again, back will come a pdf for you to check, adjust, approve.  There are plenty of opportunities to change interiors and covers before committing your work to be published.

Up to this point, it costs nothing. Free.

After a few weeks, you will get an email to say your book is ready.

At this point, I have shelled out £3 - £4 for an actual copy to check.

If happy, tell them and your book becomes available from FeedAread website. You will have set the price and generous (by comparison) royalties are set.

If you want global distribution via Amazon, etc, there is an annual fee, currently £88 (or $ etc equivalent).

If you want your book to be on sale only on their site, it costs you nothing.  Authors get a discount if they purchase copies of their own books.

They pay royalties in April and October and, in my experience, they pay on the dot.

All you have to do is register, study the website and, maybe do a trial run - short stories, autobiography, poetry, whatever.

The only downside is that postage and packing is a bit high. I think they are working on that.

So, purely based on my dealings with FeedAread, they are professional, efficient and fair.

I'll leave it with you, but if you want to ask me a question, please use the contact box on the right.

Tuesday, 12 May 2015

SELF-PUBLISHING - MIGHT BE WORTH A SHOT

See the previous post on my good experience with FeedARead.com - the one that starts:

The FeedAread.com banner at the top of this blog and the box to the right highlight a self-publishing service that I have used and will continue to use. Let me be clear before I go on - I am not employed by FeedAread but they have asked writer-customers to include the clickable banner in blogs, etc. I am happy to do so because they are professional and fair when it comes to publishing, quality of books and payment of royalties.

To give an idea on royalties -

A book selling at £6.99 via FeedARead pays an author royalty of £2.70

A book selling at £5.99 via FeedARead pays an author royalty of £2.57.
A book selling at £4.99 via FeedARead pays an author royalty of £1.85

Books sold on Amazon and other global sites pay lower royalties.

As I said in the previous post, my personal experience has been good - excellent, in fact. They do a great job for me and pay on time.

All you have to do is register (they don't pester with junk mail, etc), have a good look at what they do, upload your manuscript - poems, short stories, novel, whatever you want, test the system, hold your book (paperback) in your hand and decide if it's for you.

Might be worth a shot.

If you want to ask me any questions, contact via joecushnan@aol.com. The contact box on the right doesn't seem to be working at the moment.

Good luck!

Monday, 11 May 2015

SELF-PUBLISHING - FEEDAREAD.COM

The FeedAread.com banner at the top of this blog and the box to the right highlight a self-publishing service that I have used and will continue to use.

Let me be clear before I go on - I am not employed by FeedAread but they have asked writer-customers to include the clickable banner in blogs, etc. I am happy to do so because they are professional and fair when it comes to publishing, quality of books and payment of royalties.

So, what's my experience?  I have published several books with them.  As ever with this kind of service, they require the writer to upload whatever the book content is (writer's responsibility to proofread, correct, etc) onto pre-prepared manuscript templates.  Once you upload, you will, in a fairly fast turnaround, get an email pdf of what your book interior will look like.  Scour it for errors or make any adjustments to your original and reload. Back will come a pdf. Once you are happy with the contents, click 'accept'. You will then be able to design your book cover, either using FeedAread artwork or by uploading your own photographs, illustrations or whatever. Again, back will come a pdf for you to check, adjust, approve.  There are plenty of opportunities to change interiors and covers before committing your work to be published.

Up to this point, it costs nothing. Free.

After a few weeks, you will get an email to say your book is ready.

At this point, I have shelled out £3 - £4 for an actual copy to check.

If happy, tell them and your book becomes available from FeedAread website. You will have set the price and generous (by comparison) royalties are set.

If you want global distribution via Amazon, etc, there is an annual fee, currently £88 (or $ etc equivalent).

If you want your book to be on sale only on their site, it costs you nothing.  Authors get a discount if they purchase copies of their own books.

They pay royalties in April and October and, in my experience, they pay on the dot.

All you have to do is register, study the website and, maybe do a trial run - short stories, autobiography, poetry, whatever.

The only downside is that postage and packing is a bit high. I think they are working on that.

So, purely based on my dealings with FeedAread, they are professional, efficient and fair.

I'll leave it with you, but if you want to ask me a question, please use the contact box on the right.